Category Archives: scene is believing

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Scene Is Believing: Jaws

  The Indianapolis speech There’s an old truism that goes “If it ain’t on the page, it ain’t on the stage.” That doesn’t necessarily mean a screenplay arrives at day one, take one, fully formed, immaculate. Many hands seemingly made light work of the Jaws script: novelist Peter Benchley, Carl Gottlieb (the main man), director Steven Spielberg, […]

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Scene Is Believing: Skyfall

Searching for Silva-man In The City of Lost Children Director Sam Mendes’ intention with James Bond’s Straw Dogs meets Home Alone siege  at Skyfall, his gloomy ancestral home, was to “go back in time”; to both exorcise some manufactured ghosts in the two dimensional agents life, and acknowledge a “purer” period before “exploding pens.” Equally, villain Silva (Javier Bardem) is […]

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Scene Is Believing: The Wicker Man

“Don’t you see that killing me is not going to bring back your apples?” “People call The Wicker Man a horror movie,” Christopher Lee (Lord Summerisle) says, “but it isn’t really, it’s far more subtle and sophisticated than that. Horror is about decay; The Wicker Man is about an opposition of values, the struggle to achieve […]

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Scene Is Believing: Raiders Of The Lost Ark

  The Peruvian Temple set, stage 4, Elstree Studios “Throw me the whip.” “Throw me the Idol.” Ever since Goldfinger, the James Bond series has come up with a spectacular opening pre-credit sequence. Appropriately enough, since Steven Spielberg had professed a desire to George Lucas to direct a Bond film, Raiders Of The Lost Ark […]

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Scene Is Believing: The Dark Knight

Crazy clown time- The Dark Knight’s Joker interrogation   For this month’s Scene is Believing, I thought it would be apt to (a) look back at the previous chapter in director Christopher Nolan’s unintended Batman trilogy, and (b) take a look at his favourite scene from that film, which underscores even further the influence of […]

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Scene Is Believing: The Dark Knight Rises

  The IMAX prologue: Bane takes the plane Early positive reviews for Sam Mendes’ Skyfall are hailing it as James Bond’s renaissance, Nolan-esque in terms of scale and depth. Mendes himself has acknowledged The Dark Knight in particular as a big influence – “What Nolan proved was that you can make a huge movie that […]

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